R3ality66

For quite some time now, I had been mulling over a continuation of my previous journal “The Decline of Street Photography”.  I had received very insightful feedback from many prominent artists and photographers, many suggestions and lots of feedback regarding issues of artists and “Street Photography Groups” both as contributors as well as group admins.  There were many threads to follow up on, but the question was where to start unravelling the tangled mess and to my simple mind, one always starts at the beginning.  So, what is the starting point I asked myself and obviously the biggest issue remained what does consti

For quite some time now, I had been mulling over a continuation of my previous journal “The Decline of Street Photography”.  I had received very insightful feedback from many prominent artists and photographers, many suggestions and lots of feedback regarding issues of artists and “Street Photography Groups” both as contributors as well as group admins.  There were many threads to follow up on, but the question was where to start unravelling the tangled mess and to my simple mind, one always starts at the beginning.  So, what is the starting point I asked myself and obviously the biggest issue remained what does consti